You Think You Know Quotes by Charlie Munger, Erich Schiffmann, Timothy Keller, Lauren Kate, Robert Breault, Paul Haggis and many others.
Black-Scholes works for short-term options, but if it’s a long-term option and you think you know something [about the underlying asset], it’s insane to use Black-Scholes.
When you sit quietly and let go of every false self-definition , of everything you think you know about who you are, and then be what’s left, what remains is the untarnished presence of who you’ve always been and still really are.
Holding a grudge against someone means you think you know what they deserve and you take it upon yourself to give it to them.
This wasn’t strong-willed, fly-by-the-seat-of-her-miniskirt Kate that I’d befriended last year. You think you know a girl- and then she goes and loses her virginity at a Mardi Gras party and goes soft.
You never have a friend all figured out. Just when you think you know what makes them tick, they tock.
As soon as you think you know Clint Eastwood, you don’t know Clint Eastwood.
As a kid when I was growing up, as any kid, you think you know every thing and I was no different to that.
What you think you know versus what you actually learn.
Success is a lousy teacher. It makes you think you know what you’re doing.
You think you KNOW when you learn, are more sure when you can write, even more when you can teach, but certain when you can program.
Once you think you know the song, then you have go and see how other people have done it.
You can never know too much about writing. If you think you know everything, you’re not leaving yourself open to learn. . . . The best writers are always learning, exploring, and trying to improve.
Most everything you think you know about me is nothing more than memories.
What is a genius? What is a living legend? What is a megastar? Michael Jackson — that’s all. And when you think you know him, he gives you more. I think he is one of the finest people to hit this planet, and, in my estimation, he is the true King of Pop, Rock and Soul.
In your teens, you think you know everything, and you know nothing. By your thirties, you’re sure you know nothing, but you’re happy with that.
What makes people and companies and artistic directors and choreographers interested in working with dancers is the ability to kind of let go of everything you think you know and be a blank canvas.
You think you know everything about a person, but the truth often comes as a surprise.